tag:blogger.com,1999:blog-71718009713499066432024-02-19T03:56:31.558-08:00Creative redwork embroidery designsfreddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.comBlogger67125tag:blogger.com,1999:blog-7171800971349906643.post-88835093900968057682019-11-23T10:47:00.000-08:002019-11-23T10:47:11.847-08:00Chinese Pattern Embroidery Design<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.embromix.com/world-cultures/national-traditions/chinese-pattern-7/prod_6976.html"><img alt="https://www.embromix.com/world-cultures/national-traditions/chinese-pattern-7/prod_6976.html" border="0" data-original-height="760" data-original-width="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3WjsxlaJCHF3fC7f86RXzLtNJbED2nk-6V41Xk-0F-8bQiX4s0at-KZgMWpYKqXHAjO1vn0Mda5pR-7hrvOx8z3yY0qbaGanDTVszeif3MItn8th6xJyUpWLRqtzQzTUqNTo3iKi6pFQ/s1600/5487+%2528Copy%2529.jpg" title="" /></a></div>
<br />Chinese art is visual art that, whether ancient or stylish, originated in or is experienced in Prc or by Asiatic artists. The Island art in the Republic of China (Taiwan) and that of overseas Sinitic can also be advised portion of Island art where it is based in or draws on Asiatic heritage and Chinese content. Primeval "sharpener age art" dates play to 10,000 BC, mostly consisting of individual pottery and sculptures. After this untimely period Island art, equivalent Chinese history, is typically categorised by the successiveness of ruling dynasties of Chinese emperors, most of which lasted individual centred period.<br /><br />Sinitic art has arguably the oldest persisting practice in the concern, and is marked by an different honour of enduringness within, and knowing of, that practice, nonexistent an equal to the Southwestern have and sloping retrieval of classic styles. The media that individual commonly been restricted in the West since the Renascence as the nonfunctional arts are extremely primal in Asiatic art, and more of the finest transform was produced in stupendous workshops or factories by essentially undiagnosed artists, especially in Island ceramics.<br /><br />Overmuch of the soul production in ceramics, textiles, lapidarian lacquer, and opposite techniques was produced over a longitudinal period by the varied Majestic factories or workshops, which as intimately as state victimized by the judicature was unfocussed internally and foreign on a large standard to shew the wealth and cognition of the Emperors. In contrast, the practice of ink remove picture, practiced mainly by scholar-officials and respect painters especially of landscapes, flowers, and birds, mature aesthetic values depending on the various creativeness of and clinical looking by the creator that are extended pre-dated their use there. After contacts with Western art became increasingly cardinal from the 19th century onwards, in recent decades China has participated with acceleratory success in worldwide compeer art. </div>
freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-2872907021652885732019-11-23T10:44:00.000-08:002019-11-23T10:44:04.071-08:00Thailand Dancer Embroidery Design<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.embromix.com/world-cultures/national-traditions/thailand-dancer-07/prod_5797.html"><img alt="https://www.embromix.com/world-cultures/national-traditions/thailand-dancer-07/prod_5797.html" border="0" data-original-height="656" data-original-width="512" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitORQGldM8jSm2eJTUmAAZJtnE-LC1vZFnEHyF-wfKwmeHoNuYM5E9kUMbdMypCm6K25V-GZwaSYoSfu77Axgd9Q5gb-g7qwEENmn_ZwtRJqkVNapOmTGSS-O-p2yKfGAOLGoolbijuis/s1600/4421+%2528Copy%2529.jpg" title="" /></a></div>
<br />Traditional Thai saltation is both slender and tasteful and takes various definite forms. From the diverse types of terpsichore to the costumes and much, here is a synopsis account and the principle of conventional Thai diversion.<br />History<br /><br />Tralatitious Asiatic terpsichore is a combining of sylphlike body movements in plus to dilate costumes and euphony. There are a unconditioned of six polar forms of Asiatic diversion: the khon, li-khe, ram wong, shade puppetry, lakhon lek, and lakhon. One of the most identifying aspects of this Asian art create is the costumes mangy by the performers. Tho' the caliber of the designs feature gradually declined since its beginnings many centuries ago, the outfits works remain stunning and enlarge. Gold and silver sequins are victimised, and equal uncommon adornments much as hammer wings individual been utilised in their beginning.<br /><br />Kohn is the tralatitious Asian masked recreation. In the historic, it was only performed for the royal descent. It is now performed part of the stag entourage, however, it is soothe advised to be one of the maximal art forms in Siam. The performances are calculable from the Asian heroic, Ramakien, which is the Asian version of the Hindoo Ramayana. Most of the dancers are men, and they action a wares of varied characters, including men, women, demons, and monkeys. In constituent to masks, these performances are accompanied by narrators and a Tai piphat orchestra, which ordinarily consists of auscultation and interlace instruments.</div>
freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-67505682880886447562019-11-23T10:41:00.000-08:002019-11-23T10:41:39.446-08:00Chinese Warrior Embroidery Design<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.embromix.com/world-cultures/national-traditions/chinese-warrior/prod_6956.html"><img alt="https://www.embromix.com/world-cultures/national-traditions/chinese-warrior/prod_6956.html" border="0" data-original-height="944" data-original-width="736" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid-LEzilb6KpTNO0eR4RnTXZP3TD8znZpZ-5P72PAjDB9snxZ3wLE9UmkL2Vn2NXPR6U2Ujg74vp0uZ4X2PMLzxlxAaJMCiT7E7SuQrIhwNH8MH17JnvCcFkMit_L4DarjHeAYjggfG9U/s640/5466+%2528Copy%2529.jpg" title="" width="498" /></a></div>
<br />In ancient China action was a implementation for one realm to turn ascendancy over added, for the express to increase and protect its frontiers, and for usurpers to pose an existing dynasty of rulers. With armies consisting of tens of thousands of soldiers in the ordinal millennium BCE and then hundreds of thousands in the firstborn millennium CE, battle became writer technologically modern and e'er more ruinous. Chariots gave way to cavalry, bows to crossbows and, yet, artillery stones to explosive bombs. The Asiatic elite may person frowned upon struggle and those who meshed in it and there were notability periods of congener tranquility but, as in most separate ancient societies, for unremarkable people it was trying to avoid the insatiable demands of war: either boxing or die, be conscript<br />Attitudes to Battle<br /><br />The Island color age saw a eager trade of martial rivalry between city-rulers hot to take the riches of their neighbours, and there is no question that success in this endeavour legitimised reigns and enlarged the good of the victors and their group. Those who did not swordplay had their possessions assumed, their dwellings scorched and were unremarkably either enslaved or killed. Indeed, much of China's history thereafter involves wars between one tell or other but it is also literal that conflict was perhaps a soft fewer glorified in ancient Crockery than it was in additional ancient societies.<br />"No country has e'er profited from protracted warfare" - Sun-Tzu.<br /><br />The absence of a laurels of war in Crockery was largely due to the Believer ism and its concomitant literature which emphasised the grandness of additional matters of subject animation. Soldierlike treatises were scripted but, otherwise, moving tales of derring-do in action and martial themes, in mass, are all rarer in Chinese mythology, literature and art than in peer southwestern cultures, for instance. Flush much famous complex as Sun-Tzu's The Art of War (5th century BCE) warned that, "No region has ever profited from protracted warfare" (Sawyer, 2007, 159). Generals and determined officers premeditated and memorised the literature on how to win at war but starting from the really top with the emperor, warfare was real oftentimes a contract of senior assist. The Han Dynasty (206 BCE - 220 CE) was worthy for its discourse, as were whatever Seaweed Royalty emperors (618-907 CE) but, in the important, a strategy of salaried off neighbours with vast tributes of gray and cloth, along with a ameliorate to enlist naturalized troops to get on with it.</div>
freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-6113173898904669032019-11-23T10:38:00.000-08:002019-11-23T10:38:28.228-08:00Feng Shui Map Embroidery Design<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.embromix.com/world-cultures/national-traditions/feng-shui-map/prod_6979.html"><img alt="https://www.embromix.com/world-cultures/national-traditions/feng-shui-map/prod_6979.html" border="0" data-original-height="560" data-original-width="576" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn_HuRwoMy46ZLvhShMiQ_E6uyhuHapPU11AMbQPXmYPnl9iqPIiJl5XeFjILhlNrB5DVEdjQAgPR9oT5a_KpSt8hSdKaN9SbnlkgZgWv3muzMz5iF0c6LXsMXCPiMQRNLGSGGkgOZJQE/s1600/5490+%2528Copy%2529.jpg" title="" /></a></div>
<br />The story of Feng Shui's Bagua Doe Map goes all the way affirm at small 2500 eld to the Asiatic philosopher Philosopher, who actually contributed to its commencement.<br /><br />confucious-with-fish<br /><br />This incomparable and important way has been around for thousands of period, evolving into a profound yet simple-to-use way that helps you set and support your Intention in your area.<br /><br />For a white overview of this awful commencement, train a seem at my aggregation How To Use The Bagua Map, which includes a instruction to a pdf of the Bagua map that you can create for yourself.<br /><br />The show "Ba-Gua" literally agency "eight-sided" in Island, reflecting the fact that the map has figure sides representing the most central areas of your aliveness: Compassion & Wedlock, Progression, Noesis and Wealth, fitting to constitute a few.<br /><br />But it also contains a ordinal area: the Edifice, or Tai-Chi.<br /><br />The Midpoint, represented by the Yin/Yang symbol, connects and balances the eight sections and represents your coverall somatogenic, overemotional and sacred wellbeing.<br /><br />This diary contains posts that canvass each critical region severally so you can do your first to set your Intention and experience shipway to fasten and deepen it.<br /><br />Let me cognise what questions you might mortal about this profound Feng Shui tool. Use it carefully and right and the Bagua map can change your time.</div>
freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-67761469275626368612019-11-23T04:43:00.000-08:002019-11-23T04:43:35.523-08:00Book of Kells Lion Embroidery Design<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.embromix.com/ornaments/celtic-motifs/book-of-kells-lion/prod_2819.html"><img alt="https://www.embromix.com/ornaments/celtic-motifs/book-of-kells-lion/prod_2819.html" border="0" data-original-height="400" data-original-width="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYBbmTwbtSXYm3riOrR-Q5juVCoQYbgub_09HcAvDApKkLyd4o9mB2tnZza_kNxCx069TOTnAm997XUsFELHDd5o4xNS5ZjSqDIuahgUQC80hW4PXX2VAsLoSdI456mMsI1SkaAFFGdsg/s1600/1585+%2528Copy%2529.jpg" title="" /><br /></a></div>
<div style="text-align: left;">
Incipient biblical commentators associated the contrasting sign forms with divers evangelists. The Accumulation of Kells follows the interpretation favoured by St Theologizer - of Evangelist as a man, Characterize as a cat, Saint as a leather or an ox and Evangelist as an raptor. St. Hieronymus, (c. 347- died 420) is regarded as the most learned of the Emotional Fathers. He is most remembered for his version of the Bible into Soul (from Greek, other old Somebody versions and Hebrew). Doctor successive the gospels as we individual them today: Gospels introductory, then Score, Luke and Apostle. In his Commentary on the Creed of Matthew to its entree movement, and relating each of the foursome faces of the figure experience creatures in Ezekiel's sensation to one of the quatern evangelists.<br /><br /> The original approach, that of a man, Hieronymus designates Book because Evangelist opens his ism by recounting Logos Christ's human declination, his tribe. It begins: 'An story of the kin of Saviour the Word, the son of Painter, the son of Abraham.' (Levi 1.1).<br /> The endorsement tackling signifies Rating. The space lines of his gospels mouth of a 'voice of one exigent out in the wilderness'. Hieronymus reads this to signify a lion's shout (Enter 1:3).<br /> Evangel is figured in the gear as the approach of the leather or actress ox because his philosophy opens with the hoodooism Zachariah (Evangel 1:5). As vodoun he had a persona in making creature killing.<br /> Fourthly, the Ism of Evangel, which traditionally is regarded as a deeply mystical folk, soars on the wings of an raptor and hastens to archer of the Promise, of Christ Christ's divinity.<br /><br />This training of using these symbols to transpose the evangelists was secure in Religionist art by the ordinal century and is recovered crosswise the Religion experience in art complex of all mediums.</div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
</div>
freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-86935472636397044332012-03-02T10:42:00.001-08:002012-03-02T10:42:36.019-08:00Angel embroidery design<a href="http://embromix.com/religious/religious-christianity/angel/prod_5263.html"><img src="http://embromix.com/images/uploads/3954.jpg" alt="Angel" title="Angel" border="0"></a><br/><br/>British Museum, the, report on the <br/>Historical Exhibition at Madrid, <br/>1892, note, 37 ; remarkable em- <br/>broidered panel in, 41 ; two four- <br/>teenth-century panels in the bind- <br/>ing of a Psalter at, 48 ; unusual <br/>example of embroidery in the <br/>book known as Queen Mary's <br/>Psalter, at, 65 ; manuscript in <br/>embroidered binding, supposed <br/>to have been written and worked <br/>by Queen Elizabethfreddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-70670918665331654232012-03-02T10:40:00.000-08:002012-03-02T10:41:00.216-08:00Clint Eastwood sketch<a href="http://embromix.com/people-legends/legendary-actors/clint-eastwood-sketch/prod_2612.html"><img src="http://embromix.com/images/uploads/e1378.jpg" alt="Clint Eastwood sketch" title="Clint Eastwood sketch" border="0"></a><br/><br/>" Black work," or " Spanish work," <br/>a style of embroidery said to <br/>have been introduced by Cathe- <br/>rine of Aragon, 70 ; very popular <br/>during the reign of Queen Eliza, <br/>beth, 71, 73 ; jacket or tunic of, <br/>given to Viscountess Falkland by <br/>William IV., Plate xxxv, 70, 78, <br/>79 ; pillow-cover in the posses- <br/>sion of Viscount Falkland, Plate <br/>xxxvii, 74, 79 ; sleeves for a tunic, <br/>Plate xxxviii, 76, 79 ; coverlet <br/>belonging to Viscount Falkland, <br/>79; a portrait of the Earl of <br/>Surrey at Hampton Court, illus- <br/>trating, 80 ; specimens anterior <br/>to Henry VIII. period in several <br/>private collections, ib. \ caps and <br/>head-dresses, ib.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-81571471477238256982012-03-02T10:39:00.001-08:002012-03-02T10:39:53.278-08:00Bono sketch embroidery design<a href="http://embromix.com/people-legends/legendary-musicians/bono/prod_5306.html"><img src="http://embromix.com/images/uploads/3995.jpg" alt="Bono" title="Bono" border="0"></a><br/><br/>Copies of oil-paintings in wool-work, such <br/>as were produced by Miss Mary Linwood <br/>(b. 1755, d. 1845) an d Miss Knowles (b. 1733, <br/>d. 1807), "the Quaker, that works the sutile <br/>pictures," * represent the climax of this mis- <br/>taken art. <br/><br/>A single illustration (Plate 60) exemplifies <br/>the extent to which embroidery was used for <br/>the decoration of costume in the eighteenth <br/>century. It is a gentleman's coat, of the <br/>latter half of the century, worked in floss <br/>silks of several colours. <br/><br/>Of the nineteenth century we must say <br/>very little. Taste during the earlier part of <br/>the century was not good. Since then a <br/>revival has set in. Excellent results have <br/>already been attained, and there is good <br/>promise for the future.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-65821039878724336512012-03-02T10:38:00.000-08:002012-03-02T10:39:01.200-08:00The Beatles embroidery designs<a href="http://embromix.com/people-legends/legendary-musicians/the-beatles/prod_5847.html"><img src="http://embromix.com/images/uploads/4470.jpg" alt="The Beatles" title="The Beatles" border="0"></a><br/><br/>Maps of the world, of conti- <br/>nents, or of our own country, often bear <br/>dates as far back as the later years of the <br/>eighteenth century. <br/><br/>The popularity of the sampler appears <br/>to have greatly declined after the first two <br/>or three decades of the nineteenth century. <br/>One sampler* of the earlier part of that <br/>century may be described. Besides the <br/>customary house, with trees, animals, and <br/>birds, it has the quaintly designed figure of <br/>a man in a red coat perhaps an army pen- <br/>sioner. The little embroideress has supplied <br/>the means of identification by working the <br/>following inscription above the figure : " This <br/>is my Dear father."freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-62453699140551047152012-03-02T10:37:00.001-08:002012-03-02T10:37:35.347-08:00Roses Bouquet embroidery design<a href="http://embromix.com/flowers-and-nature/redwork-floral-motifs/roses-bouquet/prod_5362.html"><img src="http://embromix.com/images/uploads/4046.jpg" alt="Roses Bouquet" title="Roses Bouquet" border="0"></a><br/><br/>Mary Wakeling's sampler, dated 1742, <br/>bears some doggerel lines, the theme being <br/>that "poor wretched life's short portion flies <br/>away." Ann Woodgate, in 1794, after de- <br/>scribing the inevitable withering of flowers, <br/>concludes that <br/><br/>" Such and so withering are our early joys, <br/>Which time or sickness speedily destroys." <br/><br/>The quotations are sometimes more hap- <br/>pily chosen. Extracts from hymns and from <br/>metrical versions of the Psalms are met with, <br/>besides the Lord's Prayer, the Ten Com- <br/>mandments, the Creed, and quotations from <br/>different books of the Bible.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-47454193413043301902012-03-02T10:36:00.001-08:002012-03-02T10:36:35.978-08:00Bush embroidery<a href="http://embromix.com/flowers-and-nature/redwork-trees/bush-11/prod_3157.html"><img src="http://embromix.com/images/uploads/e1915.jpg" alt="Bush 11" title="Bush 11" border="0"></a><br/><br/>The panels are generally made in shapes to fit <br/>the backs, seats, and sides of settees and chairs, <br/>and there are sometimes also square pieces <br/>for cushions. The work is usually in wools, <br/>with silks for the high lights, on coarse linen <br/>or canvas. The favourite designs are land- <br/>scapes, with shepherds and shepherdesses or <br/>other figures. Sometimes the armorial bear- <br/>ings of the family are represented, and occa- <br/>sionally a vase of flowers or some such <br/>ornament takes the principal place. It is <br/>not unusual to find on these panels the name <br/>of the worker and the date. An embroidery <br/>in the Victoria and Albert Museum (No. 269, <br/>1893, see Plate 59) represents a vase of <br/>flowers in colours, the ground being covered <br/>all over with a diaper pattern in cream- <br/>white silk. Underneath the basket is worked <br/>the name ELIZABETH RVSSELL, with <br/>the date 1730. This panel may have been <br/>intended for a cushion-cover.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-26265820908542991802012-03-02T10:35:00.001-08:002012-03-02T10:35:45.964-08:00Bush embroidery design<a href="http://embromix.com/flowers-and-nature/redwork-trees/bush-13/prod_3247.html"><img src="http://embromix.com/images/uploads/e2002.jpg" alt="Bush 13" title="Bush 13" border="0"></a><br/><br/>It is a linen coverlet, quilted with white <br/>thread and embroidered with coloured silks. <br/>One of the border compartments contains a <br/>shield of arms with the initials E S and the <br/>date 1703; in the others are such designs as <br/>the following : a griffin, a lion, a horse, a <br/>standing figure, a mermaid, a merman, a <br/>castle, a three-masted ship, a camel, a hound, <br/>rabbits, a duck and other birds, and fishes. <br/><br/>Worsted work for large coverlets and <br/>hangings survives the seventeenth century, <br/>but the designs are of a different character. <br/>The cover partly reproduced in colour <br/>(Plate D) belongs to the best type of the <br/>earlier half of the century. In other <br/>examples the stems are arranged in a less <br/>ordered manner, and run over the whole field. <br/><br/>The use of silk for embroidery gradually <br/>replaced that of worsteds, in the eighteenth <br/>century, for these large pieces. There still <br/>exist a great number worked in the former <br/>material, sometimes on a linen ground, and at <br/>other times on silk. The coverlet illustrated <br/>in Plate 57 is on linen, the embroidery being <br/>entirely in red and green silk. The honey- <br/>suckle border is particularly effective. Some- <br/>times gold thread was also usedfreddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-10643128973581227152012-03-02T10:34:00.001-08:002012-03-02T10:34:31.095-08:00Lotus Flowers embroidery design<a href="http://embromix.com/flowers-and-nature/redwork-flowers/lotus-flowers/prod_4070.html"><img src="http://embromix.com/images/uploads/e2817.jpg" alt="Lotus Flowers" title="Lotus Flowers" border="0"></a><br/><br/>Even embroideries did not <br/>escape the influence of the Celestial empire. <br/>Gay birds, with tails resembling flames, like <br/>the mythical Chinese phoenix, fly amid flowers <br/>designed on Chinese models. This influence <br/>gradually died out as the eighteenth century <br/>advanced. The most noticeable change is <br/>the increasing tendency to produce a de- <br/>ceptive resemblance to nature there is less <br/>of design and more of direct imitation. <br/>Flowers are shaded to have the appearance <br/>of relief, and embroidery encroaches on the <br/>province of the painted picture.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-74392445466099061462012-03-02T10:33:00.001-08:002012-03-02T10:33:31.738-08:00Camelia embroidry design<a href="http://embromix.com/flowers-and-nature/redwork-flowers/camelia-4/prod_3937.html"><img src="http://embromix.com/images/uploads/e2685.jpg" alt="Camelia 4" title="Camelia 4" border="0"></a><br/><br/>From this ground at regu- <br/>lar intervals rise large trees whose trunks <br/>generally assume a serpentine form. The <br/>flowers of various kinds and large leaves <br/>growing from the trunks are designed with <br/>great boldness. Birds are frequently scat- <br/>tered among the branches, which intertwine <br/>so as to cover the whole upper part of the <br/>hanging. It is probable that none of these <br/>hangings are earlier than the middle of the <br/>seventeenth century, and the greater part <br/>belong to the latter half of that century.* <br/>They are sometimes in sombre colours, green <br/>being predominant. Occasionally a piece is <br/>found worked entirely in shades of red. <br/><br/>In the later years of the century, large <br/>numbers of embroideries were produced in <br/>England chiefly small panels and articles <br/>of costume worked only in yellow silk. The <br/>designs are usually floral, the linen ground <br/>being quilted in small diaper patterns. A <br/>ground quilted in this way is sometimes worked <br/>with sprays of flowers in bright colours.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-67108928748105400832012-03-02T10:30:00.000-08:002012-03-02T10:31:16.875-08:00Job by Mucha embroidery design<a href="http://embromix.com/fine-art/redwork-fine-art/job-by-mucha/prod_4159.html"><img src="http://embromix.com/images/uploads/e2905.jpg" alt="Job by Mucha" title="Job by Mucha" border="0"></a><br/><br/>On each is repre- <br/>sented part of an arcade supported by round <br/>columns, with capitals of a foliated type. <br/>Round the columns trail stems with large <br/>flowers and leaves. Birds of gay plumage <br/>are to be seen among the foliage, and on the <br/>ground below are various animals, including <br/>elephants, camels, a lion, a horse, hounds, a <br/>goat, deer, foxes, sheep, rabbits, a squirrel, <br/>a unicorn, and a dragon. The panels are of <br/>great decorative value, and the large scale is <br/>well suited to the purpose for which they <br/>were designed. <br/><br/>Many large embroideries, used as hang- <br/>ings, curtains, and valances, have survived <br/>from the seventeenth century. They are <br/>generally of linen, or a mixed material of <br/>linen and cotton, worked with large patterns <br/>in bright-coloured worsteds. The designs <br/>may be classed in three varieties. Some <br/>have isolated sprays of flowers at intervals <br/>over the whole surface ; others are divided <br/>into narrow upright panels by borders of <br/>flowering stems, with a row of floral sprays <br/>running down the middle of each panelfreddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-28862641006258384732012-03-02T10:04:00.001-08:002012-03-02T10:04:34.560-08:00Vintage Woman embroidery design<a href="http://embromix.com/fine-art/redwork-fine-art/vintage-woman/prod_6029.html"><img src="http://embromix.com/images/uploads/4651.jpg" alt="Vintage Woman" title="Vintage Woman" border="0"></a><br/><br/>The development of the sampler in the <br/>following century will be referred to in the <br/>next chapter. <br/><br/>Some embroideries of the seventeenth <br/>century, designed on a far larger scale, remain <br/>to be briefly described. <br/><br/>A few years ago there was discovered, <br/>behind an accumulation of wallpapers in an <br/>old house in Hatton Garden, a series of <br/>hangings, of a remarkable character, probably <br/>embroidered soon after the middle of the <br/>seventeenth century. When the stripping <br/>of the walls brought them to light, they were <br/>so dirty as to be hardly recognizable ; but a <br/>careful process of cleaning led to a very satis- <br/>factory result. The hangings are six in <br/>number, each measuring about 7 feet 9 inches <br/>high by 4 feet wide. The canvas ground is <br/>completely hidden by embroidery of coloured <br/>wools in varied stitches.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-29131141863563926322012-03-02T10:02:00.001-08:002012-03-02T10:02:38.925-08:00Victorian Fashion embroidery design<a href="http://embromix.com/world-cultures/redwork-fashion-history/victorian-fashion-03/prod_4850.html"><img src="http://embromix.com/images/uploads/3556.jpg" alt="Victorian Fashion 03" title="Victorian Fashion 03" border="0"></a><br/><br/>The work is generally in coloured silks, with a <br/>few illustrations of cut and drawn work in <br/>linen thread. Specimens of lettering are <br/>added, as a rule, with perhaps the name of <br/>the worker and the date of the production. <br/><br/>Many of the cut-work patterns resemble <br/>Italian work of the time, giving rise to the <br/>conjecture that some of the ruffs and falling <br/>bands worn in this country may have been <br/>the work of English needlewomen. <br/><br/>Raised work is not altogether wanting in <br/>samplers, but it is usually employed in a <br/>restrained manner. The sampler above men- <br/>tioned, bearing the date 1643, is reproduced <br/>in Plate 52. It illustrates both the floral <br/>embroidery in silks, and the geometrical <br/>openwork in white linen threads. Some- <br/>times the sampler is devoted entirely to the <br/>latter class of work. The name " Margreet <br/>May," with the date 1654, occurs on one such <br/>piece.* In another sampler, f dated 1666, <br/>coloured silks alone are usedfreddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-52839200574484777882012-03-02T10:01:00.001-08:002012-03-02T10:01:31.658-08:00Medieval embroidery Pattern<a href="http://embromix.com/world-cultures/redwork-art-deco/medieval-pattern/prod_4764.html"><img src="http://embromix.com/images/uploads/3501.jpg" alt="Medieval Pattern" title="Medieval Pattern" border="0"></a><br/><br/>The box illustrated in Plate 50 is from <br/>the collection of Lord Zouche.* The ground <br/>is of cream-white satin, a material almost <br/>invariably used. The figures are in extremely <br/>high relief, and have suffered accordingly. <br/>The subjects include the Visit of the Queen <br/>of Sheba, the Judgment of Solomon, Susanna <br/>surprised by the Elders, and the Sacrifice of <br/>Isaac. The female figures round the slope <br/>of the cover symbolize the five senses. Various <br/>flowers and other designs are worked on the <br/>drawers and compartments inside. <br/><br/>A mirror frame in the Victoria and Albert <br/>Museum (No. 247, 1896) is unfinished, and <br/>is more interesting in this condition as it <br/>illustrates the method of procedure. The <br/>whole design has been first outlined in ink <br/>on the satin ; parts of the flat embroidery <br/>have been then completed, and the relief work <br/>has, in a few instances, been added. There <br/>is at the Guildhall Museum in London, an <br/>embroidered panel also unfinished, the outline <br/>of the whole design having been similarly <br/>traced in black. It is said to have been <br/>rescued from a house in Cheapside at the <br/>time of the great fire of 1666.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-70726935269746802472012-03-02T09:59:00.001-08:002012-03-02T09:59:49.047-08:00Embroidery Pattern in Mucha Style<a href="http://embromix.com/world-cultures/redwork-art-nouveau/pattern-in-mucha-style-3/prod_4161.html"><img src="http://embromix.com/images/uploads/e2907.jpg" alt="Pattern in Mucha Style 3" title="Pattern in Mucha Style 3" border="0"></a><br/><br/>The box illustrated in Plate 50 is from <br/>the collection of Lord Zouche.* The ground <br/>is of cream-white satin, a material almost <br/>invariably used. The figures are in extremely <br/>high relief, and have suffered accordingly. <br/>The subjects include the Visit of the Queen <br/>of Sheba, the Judgment of Solomon, Susanna <br/>surprised by the Elders, and the Sacrifice of <br/>Isaac. The female figures round the slope <br/>of the cover symbolize the five senses. Various <br/>flowers and other designs are worked on the <br/>drawers and compartments inside. <br/><br/>A mirror frame in the Victoria and Albert <br/>Museum (No. 247, 1896) is unfinished, and <br/>is more interesting in this condition as it <br/>illustrates the method of procedure. The <br/>whole design has been first outlined in ink <br/>on the satin ; parts of the flat embroidery <br/>have been then completed, and the relief work <br/>has, in a few instances, been added. There <br/>is at the Guildhall Museum in London, an <br/>embroidered panel also unfinished, the outline <br/>of the whole design having been similarly <br/>traced in black. It is said to have been <br/>rescued from a house in Cheapside at the <br/>time of the great fire of 1666.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-29482092860476340042012-03-02T09:58:00.001-08:002012-03-02T09:58:36.182-08:00Mesopotamia embroidery Pattern<a href="http://embromix.com/world-cultures/ancient-embroidery-motives/mesopotamia-pattern/prod_4118.html"><img src="http://embromix.com/images/uploads/e2864.jpg" alt="Mesopotamia Pattern" title="Mesopotamia Pattern" border="0"></a><br/><br/>Among animals, <br/>birds and insects are the lion, unicorn, <br/>leopard, stag, camel, hound, sheep, squirrel, <br/>rabbit, peacock, parrot, hoopoe, pheasant, <br/>swan, robin, butterflies, caterpillars, snails, <br/>and moths. It has been thought that special <br/>meanings should be attached to some of the <br/>smaller creatures, but it is probable that their <br/>chief function was to fill small gaps in the <br/>designs. The flowers and fruits are largely <br/>those found in Elizabethan work, and include <br/>roses, columbines, carnations, pansies, tulips, <br/>lilies, daffodils, honeysuckle, apples, pears, <br/>strawberries, nuts, and acorns. The scenes <br/>generally have landscape backgrounds with <br/>castles, houses, tents, mounds, rockeries, <br/>wells, fountains, and fishponds. Clouds and <br/>smoke are in full force; the sun and moon <br/>often shine together, and an angel frequently <br/>hovers over the scene. As regards materials, <br/>silk and metal threads are used ; pearls and <br/>beads often enrich the designs, and pieces <br/>of glass and mica fill subordinate offices. <br/>A picture is occasionally worked entirely in <br/>glass beads of various colours.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-38557256126626745142012-03-02T09:57:00.001-08:002012-03-02T09:57:33.752-08:00Ancient Egyptian Anubis embroidery design<a href="http://embromix.com/world-cultures/ancient-embroidery-motives/ancient-egyptian-anubis-4/prod_3191.html"><img src="http://embromix.com/images/uploads/e1949.jpg" alt="Ancient Egyptian Anubis 4" title="Ancient Egyptian Anubis 4" border="0"></a><br/><br/>The favourite subjects are those connected <br/>with the royal house of Stuart. Charles I. <br/>and Henrietta Maria, and Charles II. and <br/>his queen, are frequently pourtrayed. Even <br/>when Biblical, mythical, or allegorical scenes <br/>are represented, the principal figures often <br/>take the likenesses of these royal personages. <br/>The work is aristocratic and royalist through- <br/>out. The shepherd playing the pipes, and <br/>the shepherdess with her crook, are dressed <br/>in the fashionable costume of the time. The <br/>following are the principal among Biblical <br/>subjects : Adam and Eve in the Garden, <br/>Abraham entertaining the Angels, Abraham <br/>and Hagar, the Offering of Isaac, Isaac and <br/>Rebekah, Joseph and Potiphar's wife, Moses <br/>found among the bulrushes, David and <br/>Abigail, David and Bathsheba, the Judgment <br/>of Solomon, the Visit of the Queen of Sheba, <br/>Jehu and Jezebel, Esther and Ahasuerus, <br/>Susanna and the Elders, and the Daughter <br/>of Herodias before Herod. The favourite <br/>classical subjects are the Judgment of Paris <br/>and Orpheus charming the Beasts. Single <br/>figures sometimes symbolize qualities and <br/>virtues, such as Faith, Hope, Justice, Peace, <br/>Time, the Five Senses, etc.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-50019351992327417292012-03-02T09:56:00.001-08:002012-03-02T09:56:26.178-08:00Egypt Pharaon embroidery design<a href="http://embromix.com/world-cultures/ancient-embroidery-motives/egypt-pharaon/prod_4100.html"><img src="http://embromix.com/images/uploads/e2846.jpg" alt="Egypt Pharaon" title="Egypt Pharaon" border="0"></a><br/><br/>Its most patent characteristic <br/>is perhaps its grotesque ugliness ; but another, <br/>which more effectually differentiates it, is <br/>the high relief, produced by stuffing and <br/>padding, introduced into many parts of the <br/>design. Tent curtains, draperies, etc., are <br/>so made that they can be pulled aside, the <br/>arms of the figures are modelled in the round, <br/>and rockeries are thrown into deep relief. <br/>The work is, in fact, a mockery of sculpture, <br/>and departs altogether from the legitimate <br/>province of the needle. It is not considered <br/>necessary to enter far into the history of this <br/>branch of our subject. A summary of its <br/>principal characteristics, and a short descrip- <br/>tion of a few examples, is all that will be <br/>attempted.* A large number are in the form <br/>of caskets and work-boxes. Many of these <br/>are fitted with cupboards, sliding drawers, <br/>and secret recesses, and provided with ink- <br/>wells, glass bottles, and other requisites for <br/>toilet and writing purposes. Mirror-frames <br/>are frequently embroidered in this way.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-46384681974981842722012-03-02T09:54:00.002-08:002012-03-02T09:55:21.264-08:00Alien Head embroidery design<a href="http://embromix.com/world-cultures/drawings-from-cinema/alien-head/prod_2543.html"><img src="http://embromix.com/images/uploads/e1304.jpg" alt="Alien Head" title="Alien Head" border="0"></a><br/><br/>The scarf belonged to Charles I., who wore <br/>it at the battle of Edgehill, and gave it after <br/>the battle to Mr. Adam Hill of Spaldwick, <br/>who rallied his troop of horse, and is said to <br/>have thereby preserved the life of the king.* <br/><br/>Souvenirs of this king must have been <br/>carefully treasured by the Royalist party. A <br/>needlework portrait of Charles I.,f in a small <br/>oval medallion, was formerly in the collection <br/>of Lord Zouche. The king wears a white <br/>falling collar, and has the ribbon of the Garter. <br/>The portrait, entirely of silk embroidery, is <br/>a work of great skill. It may be compared <br/>with another representing his favourite, the <br/>Duke of Buckingham, which adorns the cover <br/>of a volume of " Bacon's Essays," given by <br/>the author to the duke, and now in the <br/>Bodleian Library at Oxford.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-88773110279742351102012-03-02T09:54:00.001-08:002012-03-02T09:54:26.406-08:00Bella and Edward (Twilight) embroidery design<a href="http://embromix.com/world-cultures/drawings-from-cinema/bella-and-edward-twilight-/prod_3719.html"><img src="http://embromix.com/images/uploads/e2472.jpg" alt="Bella and Edward (Twilight)" title="Bella and Edward (Twilight)" border="0"></a><br/><br/>The larger cushion, of the same style and period, has a pattern of <br/>flowers, fruit, birds, and insects, in coloured <br/>silks, on a canvas ground embroidered with <br/>silver thread. The lady's jacket reproduced <br/>in Plate 49 f belongs to a valuable collection <br/>of costumes, worn by various members of <br/>the Isham family of Lamport Hall. The <br/>costumes range from the time of Elizabeth <br/>to the end of the seventeenth century, and <br/>form a unique collection. The jacket, which <br/>is of pink silk, finds a place in this volume | <br/>on account of the embroidery. The scrolling <br/>pattern is formed by an outline of blue silk ! <br/>entwined with silver thread. <br/><br/>An embroidery of some historical interest <br/>belonging to the next reign was presented <br/>to the Victoria and Albert Museum by Sir <br/>Edward Denny, Bart., together with other <br/>things, in 1882 (see p. 77). It is a military <br/>scarf,J such as may be seen in many portraits <br/>of the seventeenth century, worn across the <br/>cuirass and passing over one shoulder.freddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0tag:blogger.com,1999:blog-7171800971349906643.post-10470230551714106402012-03-02T09:52:00.000-08:002012-03-02T09:53:06.978-08:00Thailand Dancer embroidery design<a href="http://embromix.com/world-cultures/national-traditions/thailand-dancer-13/prod_5803.html"><img src="http://embromix.com/images/uploads/4427.jpg" alt="Thailand Dancer 13" title="Thailand Dancer 13" border="0"></a><br/><br/>A favourite device in the reign of James I. <br/>is the obelisk or pyramid. It frequently <br/>occurs in architecture, wood-carving and <br/>silver-work, and sometimes it is to be seen in <br/>embroideries of the period. A small canvas <br/>panel in the Victoria and Albert Museum t <br/>has a pyramid rising from a crown, with <br/>rows of flowers between. In another piece, <br/>a bag or purse,J the pyramids rest on <br/>pedestals. <br/><br/>Small bags of this nature, generally square <br/>or oblong, are frequently met with. Some <br/>were intended to contain books ; others may <br/>have been used for holding embroidery <br/>materials and such articles. They generally <br/>have a string for drawing the open side to- <br/>gether. The usual ornament is a spray of <br/>flowers. Such a bag is illustrated in Platefreddyhttp://www.blogger.com/profile/14572679867181698566noreply@blogger.com0