Skip to main content

Camelia embroidry design

Camelia 4

From this ground at regu-
lar intervals rise large trees whose trunks
generally assume a serpentine form. The
flowers of various kinds and large leaves
growing from the trunks are designed with
great boldness. Birds are frequently scat-
tered among the branches, which intertwine
so as to cover the whole upper part of the
hanging. It is probable that none of these
hangings are earlier than the middle of the
seventeenth century, and the greater part
belong to the latter half of that century.*
They are sometimes in sombre colours, green
being predominant. Occasionally a piece is
found worked entirely in shades of red.

In the later years of the century, large
numbers of embroideries were produced in
England chiefly small panels and articles
of costume worked only in yellow silk. The
designs are usually floral, the linen ground
being quilted in small diaper patterns. A
ground quilted in this way is sometimes worked
with sprays of flowers in bright colours.

Comments

Popular posts from this blog

Chinese dragon embroidery design

Clint Eastwood sketch

" Black work," or " Spanish work,"
a style of embroidery said to
have been introduced by Cathe-
rine of Aragon, 70 ; very popular
during the reign of Queen Eliza,
beth, 71, 73 ; jacket or tunic of,
given to Viscountess Falkland by
William IV., Plate xxxv, 70, 78,
79 ; pillow-cover in the posses-
sion of Viscount Falkland, Plate
xxxvii, 74, 79 ; sleeves for a tunic,
Plate xxxviii, 76, 79 ; coverlet
belonging to Viscount Falkland,
79; a portrait of the Earl of
Surrey at Hampton Court, illus-
trating, 80 ; specimens anterior
to Henry VIII. period in several
private collections, ib. \ caps and
head-dresses, ib.

Thailand embroidery Dancer

Both sides are
broken up into small panels with a curious
combination of devices. On one side may
be seen a lady wearing a ruff, a mermaid, and
a man surrounded by stags and rabbits. On
the other are lions, unicorns, a rose, a crown
and the letters I R (Jacobus Rex). There are
also clasped hands, fleurs-de-lys, honeysuckle,
pansies, acorns, strawberries and interlacing
and geometrical patterns, on embroidered
grounds of different colours.

A piece of work in the Maidstone Museum
belongs to the beginning of the century. It
is evidently intended to illustrate the progress
of the Reformation in England. King
Henry VIII. is seated in the middle with his
foot on the prostrate figure of a friar. On
his right stands his son and successor
Edward VI., crowned and holding a sceptre
in his right hand and a Bible in his left.
Beyond is Queen Mary holding a rosary, with
a dragon at her feet.