Rosette embroidery

Tradition assigns an earlier origin to another
pair, presented, together with other works of
art associated with the Denny family, by Sir
Edward Denny, Bart., to the Victoria and
Albert Museum in 1882. They are of leather,
with white satin gauntlets elaborately em-
broidered and enriched with numerous seed-
pearls. It is believed that they are the gloves
recorded to have been given by Henry VIII.
to Sir Anthony Denny, who was successively
Groom of the Stole, a Privy Councillor, and
an Executor of the King, and afterwards
one of the guardians of the young king
Edward VI. The design, however, seems to
point to a later origin, and it is perhaps more
likely that they are the pair given by James I.
to Sir Edward Denny (afterwards Earl of
Norwich), who, as Sheriff of Hertfordshire,
received the king during his journey from
Scotland.

A pair of mittens (Plate 34) of crimson
velvet, with embroidered satin gauntlets, was
given by Queen Elizabeth to her Maid of
Honour, Margaret Edgcumbe, wife of Sir Ed.
Denny, Knt. Banneret. The leather glove,
illustrated in the same plate, is of early
seventeenth century yyork.

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Chinese Pattern Embroidery Design

Chinese art is visual art that, whether ancient or stylish, originated in or is experienced in Prc or by Asiatic artists. The Island art in the Republic of China (Taiwan) and that of overseas Sinitic can also be advised portion of Island art where it is based in or draws on Asiatic heritage and Chinese content. Primeval "sharpener age art" dates play to 10,000 BC, mostly consisting of individual pottery and sculptures. After this untimely period Island art, equivalent Chinese history, is typically categorised by the successiveness of ruling dynasties of Chinese emperors, most of which lasted individual centred period. Sinitic art has arguably the oldest persisting practice in the concern, and is marked by an different honour of enduringness within, and knowing of, that practice, nonexistent an equal to the Southwestern have and sloping retrieval of classic styles. The media that individual commonly been restricted in the West since the Renascence as the nonfunctional arts ...

Angel embroidery design

British Museum, the, report on the Historical Exhibition at Madrid, 1892, note, 37 ; remarkable em- broidered panel in, 41 ; two four- teenth-century panels in the bind- ing of a Psalter at, 48 ; unusual example of embroidery in the book known as Queen Mary's Psalter, at, 65 ; manuscript in embroidered binding, supposed to have been written and worked by Queen Elizabeth

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The work is generally in coloured silks, with a few illustrations of cut and drawn work in linen thread. Specimens of lettering are added, as a rule, with perhaps the name of the worker and the date of the production. Many of the cut-work patterns resemble Italian work of the time, giving rise to the conjecture that some of the ruffs and falling bands worn in this country may have been the work of English needlewomen. Raised work is not altogether wanting in samplers, but it is usually employed in a restrained manner. The sampler above men- tioned, bearing the date 1643, is reproduced in Plate 52. It illustrates both the floral embroidery in silks, and the geometrical openwork in white linen threads. Some- times the sampler is devoted entirely to the latter class of work. The name " Margreet May," with the date 1654, occurs on one such piece.* In another sampler, f dated 1666, coloured silks alone are used

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